# Neo Analog Lab — complete reference

> Specialist analog photography shop in Tokyo, Japan (ネオアナログラボ株式会社): film, photographic paper, darkroom equipment and chemistry, used cameras, and mail-in film developing and scanning. Prices are in JPY including consumption tax. Ships within Japan and abroad by Japan Post.

Generated 2026-10-20T03:10:53.611Z. Prices and stock below were live at that moment and change; confirm on the product page before buying.

## Using this shop as an agent

- Every public page has a Markdown version: append `.md` to its URL, or request it with `Accept: text/markdown`. Pages exist in English (/en), Japanese (/ja) and Chinese (/zh).
- Machine-readable catalog (JSON, all languages): https://shop.neoanaloglab.com/catalog-feed.json
- MCP server (public, no sign-in, Streamable HTTP): https://shop.neoanaloglab.com/mcp — search_products, get_product, check_availability, quote_shipping, get_store_policies, search_knowledge, create_checkout_link, get_order_status. Details: https://shop.neoanaloglab.com/en/agents.md
- To buy, give the person a buy link: https://shop.neoanaloglab.com/buy/<SKU>:<qty>,<SKU>:<qty>?context/address_country=<ISO country> (UCP permalink). It opens a confirmation page; stock is reserved and payment taken only when the person continues to Stripe Checkout.
- Shorter overview: https://shop.neoanaloglab.com/llms.txt

## Seller

- Neo Analog Lab (NeoAnalogLab K.K.), Arca Central 14F, 1-2-1 Kinshi, Sumida-ku, Tokyo, Japan
- Contact: info@neoanaloglab.com, 070-1302-3838; support in Japanese, English and Chinese
- Legal disclosure (Specified Commercial Transactions Act): https://shop.neoanaloglab.com/en/specified-commercial-transactions.md

## Shipping

- Free shipping within Japan on orders of 15,000 JPY or more.
- Roll film ships free from 3 rolls of 135 or 5 rolls of 120.
- Otherwise 500 JPY for small tracked roll-film parcels and 900 JPY for other tracked shipments.
- Orders ship within 2-5 business days after payment is confirmed (weekends and Japanese holidays not counted). Delivery within Japan usually takes 1-2 days (2-4 for small roll-film parcels).
- Ships to 165 countries and regions by Japan Post at Japan Post's own postage (International Air Packet, International Parcel by air, EMS), priced by destination and packed weight.
- United States orders include prepaid import duties. Elsewhere, duties and import taxes are paid by the recipient.
- Photo chemistry and Vintage Visual (AGO) products ship within Japan only. Overseas orders are limited to 200,000 JPY of goods.
- Transit after dispatch: EMS 2-10 business days; Air Packet and Parcel 4-20 business days, plus customs.
- Full policy: https://shop.neoanaloglab.com/en/shipping.md

## Returns

- Contact us within 30 days of delivery for returns or exchanges.
- For a change of mind, items must be unopened and unused; opened film, paper and chemistry cannot be returned for customer reasons.
- Damaged, wrong or defective items are accepted even if opened; we pay the return shipping.
- No restocking fee. Refunds go to the original payment method within 5 days of the return arriving and passing inspection.
- Film processing and scanning cannot be cancelled once work has started.
- Full policy: https://shop.neoanaloglab.com/en/returns.md

## Payment

- Payment is taken at order through Stripe Checkout: cards and the other methods Stripe shows for the buyer's country.
- Prices are in Japanese yen and include consumption tax.

## Catalog

All 134 listed products. Category pages: https://shop.neoanaloglab.com/en/catalog.md

### Film on the shelf (88)

| Product | SKU | Brand | Price | Stock | Key specs | Ships abroad |
| --- | --- | --- | ---: | ---: | --- | --- |
| [DELTA 3200 PROFESSIONAL 35mm](https://shop.neoanaloglab.com/en/products/delta-3200-professional-35mm.md) | ILFO-FILM135-DELTA3200-ISO-3200 | ILFORD | ¥2,389 | 8 | 135 / 36 exp · ISO 3200 · B&W negative | yes |
| [EKTACOLOR PRO 400 120](https://shop.neoanaloglab.com/en/products/ektacolor-pro-400-120.md) | KODA-FILM120-EKTACOLORPRO400-ISO-400 | KODAK | ¥16,967 | 1 | 120 / 12 exp · ISO 400 · Color negative | yes |
| [EKTACOLOR PRO 400 35mm 5-Pack](https://shop.neoanaloglab.com/en/products/ektacolor-pro-400-35mm-5pack.md) | KODA-FILM135-EKTACOLORPRO400-ISO400-5PK | KODAK | ¥18,813 | 2 | 135 / 5 rolls × 36 exp · ISO 400 · Color negative | yes |
| [EKTAR 100 120](https://shop.neoanaloglab.com/en/products/ektar-100-120.md) | KODA-FILM120-EKTAR100-ISO-100 | KODAK | ¥13,969 | 3 | 120 / 12 exp · ISO 100 · Color negative | yes |
| [EKTAR 100 35mm](https://shop.neoanaloglab.com/en/products/ektar-100-35mm.md) | KODA-FILM135-EKTAR100-ISO-100 | KODAK | ¥3,504 | 7 | 135 / 36 exp · ISO 100 · Color negative | yes |
| [Ferrania P30 80 35mm](https://shop.neoanaloglab.com/en/products/ferrania-p30-80-35mm.md) | FERR-FILM135-P30-ISO-80 | Ferrania | ¥3,203 | 3 | 135 / 36 exp · ISO 80 · B&W negative | yes |
| [Film Washi "F" 135](https://shop.neoanaloglab.com/en/products/washi-f-135.md) | WASH-FILM135-F-ISO-100 | Film Washi | ¥2,680 | 5 | 135 / 24 exp · ISO 100 · Black and white negative | yes |
| [Film Washi "K" Vintage Aerial 120](https://shop.neoanaloglab.com/en/products/washi-k-120.md) | WASH-FILM120-K-ISO-100 | Film Washi | ¥1,780 | 5 | 120 roll film · ISO 100 / 21° · Black and white negative | yes |
| [Film Washi "W" 120](https://shop.neoanaloglab.com/en/products/washi-w-120.md) | WASH-FILM120-W-ISO-25 | Film Washi | ¥3,180 | 5 | 120 roll film · ISO 25 (maker's table: 3–25 ISO by developer) · Black and white negative | yes |
| [Film Washi E 120](https://shop.neoanaloglab.com/en/products/washi-e-120.md) | WASH-FILM120-E-ISO-3 | Film Washi | ¥2,280 | 5 | 120 roll film · ISO 3 (6° DIN) · Black and white negative | yes |
| [Film Washi Y 120](https://shop.neoanaloglab.com/en/products/washi-y-120.md) | WASH-FILM120-Y-ISO-100 | Film Washi | ¥3,780 | 5 | 120 roll · ISO 100 / 21° (push or pull up to 2 stops) · Black and white negative | yes |
| [Film Washi Z 400 35mm](https://shop.neoanaloglab.com/en/products/washi-z-135.md) | WASH-FILM135-Z-ISO-400 | Film Washi | ¥2,280 | 5 | 135 / 24 exp · ISO 400 · Black and white negative | yes |
| [FP4 PLUS 35mm](https://shop.neoanaloglab.com/en/products/fp4-plus-35mm.md) | ILFO-FILM135-FP4-ISO-125 | ILFORD | ¥3,084 | 9 | 135 / 36 exp · ISO 125 · B&W negative | yes |
| [HP5 PLUS 35mm](https://shop.neoanaloglab.com/en/products/hp5-plus-35mm.md) | ILFO-FILM135-HP5-ISO-400 | ILFORD | ¥1,832 | 6 | 135 / 36 exp · ISO 400 · B&W negative | yes |
| [KODACOLOR 100 35mm](https://shop.neoanaloglab.com/en/products/kodacolor-100-35mm.md) | KODA-FILM135-KODACOLOR100-ISO-100 | KODAK | ¥2,103 | 6 | 135 / 36 exp · ISO 100 · Color negative | yes |
| [KODACOLOR 200 35mm](https://shop.neoanaloglab.com/en/products/kodacolor-200-35mm.md) | KODA-FILM135-KODACOLOR200-ISO-200 | KODAK | ¥2,104 | 8 | 135 / 36 exp · ISO 200 · Color negative | yes |
| [OptiColour 200 120](https://shop.neoanaloglab.com/en/products/opticolour-200-120.md) | OPTI-FILM120-OPTICOLOUR200-ISO-200 | Optik Oldschool | ¥1,812 | 6 | 120 / 12 exp · ISO 200 · Colour negative | yes |
| [OptiColour 200 35mm](https://shop.neoanaloglab.com/en/products/opticolour-200-35mm.md) | OPTI-FILM135-OPTICOLOUR200-ISO-200 | Optik Oldschool | ¥1,821 | 1 | 135 / 36 exp · ISO 200 · Colour negative | yes |
| [Optik Oldschool SantaColor 100 35mm](https://shop.neoanaloglab.com/en/products/optik-oldschool-santacolor-100-35mm.md) | OPTI-FILM135-SANTACOLOR100-ISO-100 | Optik Oldschool | ¥2,722 | 2 | 135 / 36 exp · ISO 100 · Color negative / C-41 | yes |
| [PORTRA 160 35mm](https://shop.neoanaloglab.com/en/products/portra-160-35mm.md) | KODA-FILM135-PORTRA160-ISO-160 | KODAK | ¥16,066 | 3 | 135 / 36 exp · ISO 160 · Color negative / C-41 | yes |
| [SantaColor 800](https://shop.neoanaloglab.com/en/products/santacolor-800-35mm.md) | OPTI-FILM135-SANTACOLOR800-ISO-800 | Optik Oldschool | ¥3,122 | 5 | 135 / 36 exp · ISO 800 · Colour negative | yes |
| [DELTA 100 PROFESSIONAL 120](https://shop.neoanaloglab.com/en/products/delta-100-professional-120.md) | ILFO-FILM120-DELTA100-ISO-100 | ILFORD | ¥2,542 | sold out | 120 / 12 exp · ISO 100 · B&W negative | yes |
| [DELTA 100 PROFESSIONAL 35mm](https://shop.neoanaloglab.com/en/products/delta-100-professional-35mm.md) | ILFO-FILM135-DELTA100-ISO-100 | ILFORD | ¥2,111 | sold out | 135 / 36 exp · ISO 100 · B&W negative | yes |
| [DELTA 100 PROFESSIONAL 8x10](https://shop.neoanaloglab.com/en/products/delta-100-professional-8x10.md) | ILFO-FILMSHEET-DELTA100-8X10-25 | ILFORD | ¥54,780 | sold out | 8x10 in · 25 sheets · ISO 100 | Japan only |
| [DELTA 100 PROFESSIONAL Sheet Film](https://shop.neoanaloglab.com/en/products/delta-100-professional-sheet-film.md) | ILFO-FILMSHEET-DELTA100-4X5-25 | ILFORD | ¥7,590 | sold out | 4x5 in · 25 sheets · ISO 100 | Japan only |
| [DELTA 3200 PROFESSIONAL 120](https://shop.neoanaloglab.com/en/products/delta-3200-professional-120.md) | ILFO-FILM120-DELTA3200-ISO-3200 | ILFORD | ¥2,542 | sold out | 120 / 12 exp · ISO 3200 · B&W negative | yes |
| [DELTA 400 PROFESSIONAL 120](https://shop.neoanaloglab.com/en/products/delta-400-professional-120.md) | ILFO-FILM120-DELTA400-ISO-400 | ILFORD | ¥2,542 | sold out | 120 / 12 exp · ISO 400 · B&W negative | yes |
| [DELTA 400 PROFESSIONAL 35mm](https://shop.neoanaloglab.com/en/products/delta-400-professional-35mm.md) | ILFO-FILM135-DELTA400-ISO-400 | ILFORD | ¥2,111 | sold out | 135 / 36 exp · ISO 400 · B&W negative | yes |
| [EKTACHROME E100 120](https://shop.neoanaloglab.com/en/products/ektachrome-e100-120.md) | KODA-FILM120-EKTACHROMEE100-ISO-100 | KODAK | ¥12,662 | sold out | 120 / 12 exp · ISO 100 · Slide | yes |
| [EKTACHROME E100 35mm](https://shop.neoanaloglab.com/en/products/ektachrome-e100-35mm.md) | KODA-FILM135-EKTACHROMEE100-ISO-100 | KODAK | ¥2,111 | sold out | 135 / 36 exp · ISO 100 · Slide | yes |
| [EKTACOLOR PRO 160 120](https://shop.neoanaloglab.com/en/products/ektacolor-pro-160-120.md) | KODA-FILM120-EKTACOLORPRO160-ISO-160 | KODAK | ¥13,969 | sold out | 120 / 12 exp · ISO 160 · Color negative | yes |
| [EKTACOLOR PRO 160 35mm](https://shop.neoanaloglab.com/en/products/ektacolor-pro-160-35mm.md) | KODA-FILM135-EKTACOLORPRO160-ISO-160 | KODAK | ¥2,111 | sold out | 135 / 36 exp · ISO 160 · Color negative | yes |
| [EKTACOLOR PRO 400 35mm](https://shop.neoanaloglab.com/en/products/ektacolor-pro-400-35mm.md) | KODA-FILM135-EKTACOLORPRO400-ISO-400 | KODAK | ¥4,004 | sold out | 135 / 36 exp · ISO 400 · Color negative | yes |
| [EKTACOLOR PRO 800 120](https://shop.neoanaloglab.com/en/products/ektacolor-pro-800-120.md) | KODA-FILM120-EKTACOLORPRO800-ISO-800 | KODAK | ¥12,662 | sold out | 120 / 12 exp · ISO 800 · Color negative | yes |
| [EKTACOLOR PRO 800 35mm](https://shop.neoanaloglab.com/en/products/ektacolor-pro-800-35mm.md) | KODA-FILM135-EKTACOLORPRO800-ISO-800 | KODAK | ¥2,111 | sold out | 135 / 36 exp · ISO 800 · Color negative | yes |
| [EKTAPAN 100 120](https://shop.neoanaloglab.com/en/products/ektapan-100-120.md) | KODA-FILM120-EKTAPAN100-ISO-100 | KODAK | ¥12,662 | sold out | 120 / 12 exp · ISO 100 · B&W negative | yes |
| [EKTAPAN 100 35mm](https://shop.neoanaloglab.com/en/products/ektapan-100-35mm.md) | KODA-FILM135-EKTAPAN100-ISO-100 | KODAK | ¥2,111 | sold out | 135 / 36 exp · ISO 100 · B&W negative | yes |
| [EKTAPAN 400 120](https://shop.neoanaloglab.com/en/products/ektapan-400-120.md) | KODA-FILM120-EKTAPAN400-ISO-400 | KODAK | ¥12,662 | sold out | 120 / 12 exp · ISO 400 · B&W negative | yes |
| [EKTAPAN 400 35mm](https://shop.neoanaloglab.com/en/products/ektapan-400-35mm.md) | KODA-FILM135-EKTAPAN400-ISO-400 | KODAK | ¥2,111 | sold out | 135 / 36 exp · ISO 400 · B&W negative | yes |
| [EKTAPAN P3200 35mm](https://shop.neoanaloglab.com/en/products/ektapan-p3200-35mm.md) | KODA-FILM135-EKTAPANP3200-ISO-3200 | KODAK | ¥2,111 | sold out | 135 / 36 exp · ISO 3200 · B&W negative | yes |
| [Film Washi "F" 120](https://shop.neoanaloglab.com/en/products/washi-f-120.md) | WASH-FILM120-F-ISO-100 | Film Washi | ¥2,402 | sold out | 120 · ISO 100 · Black and white negative | yes |
| [Film Washi "F" 135 Bulk Roll 30.5 m](https://shop.neoanaloglab.com/en/products/washi-f-bulk-30m.md) | WASH-BULKROLL-F-ISO-100-30M | Film Washi | ¥31,800 | sold out | 135 bulk / 30.5 m · 30.5 m (100 ft) · ISO 100 | yes |
| [Film Washi "K" Vintage Aerial 4x5](https://shop.neoanaloglab.com/en/products/washi-k-4x5.md) | WASH-FILM4X5-K-ISO-100 | Film Washi | ¥4,280 | sold out | 4x5 in sheet film · 12 sheets per pack · ISO 100 / 21° | Japan only |
| [Film Washi "W" 4x5](https://shop.neoanaloglab.com/en/products/washi-w-4x5.md) | WASH-FILM4X5-W-ISO-25 | Film Washi | ¥6,280 | sold out | 4x5 in sheet film · 12 sheets per pack · ISO 25 (maker's table: 3–25 ISO by developer) | Japan only |
| [Film Washi E 4x5](https://shop.neoanaloglab.com/en/products/washi-e-4x5.md) | WASH-FILM4X5-E-ISO-3 | Film Washi | ¥4,580 | sold out | 4x5 in sheet film · 12 sheets per pack · ISO 3 (6° DIN) | Japan only |
| [Film Washi X 100 35mm](https://shop.neoanaloglab.com/en/products/washi-x-135.md) | WASH-FILM135-X-ISO-100 | Film Washi | ¥4,405 | sold out | 135 / 36 exp · ISO 100 · Colour negative (C-41) or slide (E-6) | yes |
| [Film Washi Z 400 Bulk Roll 30.5 m](https://shop.neoanaloglab.com/en/products/washi-z-bulk-30m.md) | WASH-BULKROLL-Z-ISO-400-30M | Film Washi | ¥29,800 | sold out | 135 bulk / 30.5 m · 30.5 m (100 ft) · ISO 400 | yes |
| [FP4 PLUS 120](https://shop.neoanaloglab.com/en/products/fp4-plus-120.md) | ILFO-FILM120-FP4-ISO-125 | ILFORD | ¥2,542 | sold out | 120 / 12 exp · ISO 125 · B&W negative | yes |
| [FP4 PLUS Sheet Film](https://shop.neoanaloglab.com/en/products/fp4-plus-sheet-film.md) | ILFO-FILMSHEET-FP4-4X5-25 | ILFORD | ¥7,590 | sold out | 4x5 in · 25 sheets · ISO 125 | Japan only |
| [FUJICOLOR 100 35mm](https://shop.neoanaloglab.com/en/products/fujicolor-100-35mm.md) | FUJI-FILM135-FUJICOLOR100-ISO-100 | FUJIFILM | ¥2,111 | sold out | 135 / 36 exp · ISO 100 · Color negative | yes |
| [FUJIFILM 400 35mm](https://shop.neoanaloglab.com/en/products/fujifilm-400-35mm.md) | FUJI-FILM135-FUJIFILM400-ISO-400 | FUJIFILM | ¥2,111 | sold out | 135 / 36 exp · ISO 400 · Color negative | yes |
| [GOLD 200 120](https://shop.neoanaloglab.com/en/products/gold-200-120.md) | KODA-FILM120-GOLD200-ISO-200 | KODAK | ¥9,472 | sold out | 120 / 12 exp · ISO 200 · Color negative | yes |
| [GOLD 200 35mm](https://shop.neoanaloglab.com/en/products/gold-200-35mm.md) | KODA-FILM135-GOLD200-ISO-200 | KODAK | ¥1,804 | sold out | 135 / 36 exp · ISO 200 · Color negative | yes |
| [GOLD 200 35mm 3-Pack](https://shop.neoanaloglab.com/en/products/gold-200-35mm-3pack.md) | KODA-FILM135-GOLD200-ISO200-3PK | KODAK | ¥5,133 | sold out | 135 / 3 rolls × 36 exp · ISO 200 · Color negative | yes |
| [HARMAN Phoenix II 200 35mm](https://shop.neoanaloglab.com/en/products/harman-phoenix-ii-200-35mm.md) | HARM-FILM135-PHOENIXII200-ISO-200 | HARMAN | ¥2,804 | sold out | 135 / 36 exp · ISO 200 · Color negative / C-41 | yes |
| [HP5 PLUS 120](https://shop.neoanaloglab.com/en/products/hp5-plus-120.md) | ILFO-FILM120-HP5-ISO-400 | ILFORD | ¥2,542 | sold out | 120 / 12 exp · ISO 400 · B&W negative | yes |
| [HP5 PLUS Sheet Film](https://shop.neoanaloglab.com/en/products/hp5-plus-sheet-film.md) | ILFO-FILMSHEET-HP5-4X5-25 | ILFORD | ¥7,590 | sold out | 4x5 in · 25 sheets · ISO 400 | Japan only |
| [NEOPAN 100 ACROS II 120](https://shop.neoanaloglab.com/en/products/neopan-100-acros-ii-120.md) | FUJI-FILM120-NEOPAN100ACROSII-ISO-100 | FUJIFILM | ¥12,662 | sold out | 120 / 12 exp · ISO 100 · B&W negative | yes |
| [NEOPAN 100 ACROS II 35mm](https://shop.neoanaloglab.com/en/products/neopan-100-acros-ii-35mm.md) | FUJI-FILM135-NEOPAN100ACROSII-ISO-100 | FUJIFILM | ¥2,111 | sold out | 135 / 36 exp · ISO 100 · B&W negative | yes |
| [OptiColour 200 4x5](https://shop.neoanaloglab.com/en/products/opticolour-200-4x5.md) | OPTI-FILM4X5-OPTICOLOUR200-ISO-200 | Optik Oldschool | ¥14,870 | sold out | 4x5 in · 25 sheets · ISO 200 | Japan only |
| [Optik's Motion 200T](https://shop.neoanaloglab.com/en/products/optiks-motion-200t-35mm.md) | OPTI-FILM135-MOTION200T-ISO-200 | Optik Oldschool | ¥1,423 | sold out | 135 / 36 exp · ISO 200 · ECN-2 (cine) | yes |
| [Optik's Motion 500T](https://shop.neoanaloglab.com/en/products/optiks-motion-500t-35mm.md) | OPTI-FILM135-MOTION500T-ISO-500 | Optik Oldschool | ¥1,670 | sold out | 135 / 36 exp · ISO 500 · Colour negative | yes |
| [ORTHO PLUS](https://shop.neoanaloglab.com/en/products/ortho-plus-sheet-film.md) | ILFO-FILMSHEET-ORTHO-4X5-25 | ILFORD | ¥7,590 | sold out | 4x5 in · 25 sheets · ISO 80 | Japan only |
| [ORTHO PLUS 120](https://shop.neoanaloglab.com/en/products/ortho-plus-120.md) | ILFO-FILM120-ORTHO-ISO-80 | ILFORD | ¥2,542 | sold out | 120 / 12 exp · ISO 80 · B&W negative | yes |
| [ORTHO PLUS 35MM](https://shop.neoanaloglab.com/en/products/ortho-plus-35mm.md) | ILFO-FILM135-ORTHO-ISO-80 | ILFORD | ¥2,111 | sold out | 135 / 36 exp · ISO 80 · B&W negative | yes |
| [PAN F PLUS 120](https://shop.neoanaloglab.com/en/products/pan-f-plus-120.md) | ILFO-FILM120-PANF-ISO-50 | ILFORD | ¥2,542 | sold out | 120 / 12 exp · ISO 50 · B&W negative | yes |
| [PAN F PLUS 35mm](https://shop.neoanaloglab.com/en/products/pan-f-plus-35mm.md) | ILFO-FILM135-PANF-ISO-50 | ILFORD | ¥2,111 | sold out | 135 / 36 exp · ISO 50 · B&W negative | yes |
| [Provia 100F 120](https://shop.neoanaloglab.com/en/products/provia-100f-120.md) | FUJI-FILM120-PROVIA100F-ISO-100 | FUJIFILM | ¥12,710 | sold out | 120 / 12 exp · 5 rolls · ISO 100 | yes |
| [Provia 100F 35mm](https://shop.neoanaloglab.com/en/products/provia-100f-35mm.md) | FUJI-FILM135-PROVIA100F-ISO-100 | FUJIFILM | ¥2,111 | sold out | 135 / 36 exp · ISO 100 · Slide | yes |
| [Provia 100F Sheet Film 4x5](https://shop.neoanaloglab.com/en/products/provia-100f-sheet-4x5.md) | FUJI-FILMSHEET-PROVIA100F-4X5-20 | FUJIFILM | ¥7,590 | sold out | 4x5 in · 20 sheets · ISO 100 | Japan only |
| [Provia 100F Sheet Film 8x10](https://shop.neoanaloglab.com/en/products/provia-100f-sheet-8x10.md) | FUJI-FILMSHEET-PROVIA100F-8X10-20 | FUJIFILM | ¥15,290 | sold out | 8x10 in · 20 sheets · ISO 100 | Japan only |
| [SFX 200 120](https://shop.neoanaloglab.com/en/products/sfx-200-120.md) | ILFO-FILM120-SFX200-ISO-200 | ILFORD | ¥2,542 | sold out | 120 / 12 exp · ISO 200 · B&W negative | yes |
| [SFX 200 35mm](https://shop.neoanaloglab.com/en/products/sfx-200-35mm.md) | ILFO-FILM135-SFX200-ISO-200 | ILFORD | ¥2,111 | sold out | 135 / 36 exp · ISO 200 · B&W negative | yes |
| [SUPERIA PREMIUM 400 35mm](https://shop.neoanaloglab.com/en/products/superia-premium-400-35mm.md) | FUJI-FILM135-SUPERIAPREMIUM400-ISO-400 | FUJIFILM | ¥2,111 | sold out | 135 / 36 exp · ISO 400 · Color negative | yes |
| [TRI-X 400 120](https://shop.neoanaloglab.com/en/products/tri-x-400-120.md) | KODA-FILM120-TRIX400-ISO-400 | KODAK | ¥12,662 | sold out | 120 / 12 exp · ISO 400 · B&W negative | yes |
| [TRI-X 400 35mm](https://shop.neoanaloglab.com/en/products/tri-x-400-35mm.md) | KODA-FILM135-TRIX400-ISO-400 | KODAK | ¥2,111 | sold out | 135 / 36 exp · ISO 400 · B&W negative | yes |
| [ULTRAMAX 400 35mm](https://shop.neoanaloglab.com/en/products/ultramax-400-35mm.md) | KODA-FILM135-ULTRAMAX400-ISO-400 | KODAK | ¥2,104 | sold out | 135 / 36 exp · ISO 400 · Color negative | yes |
| [ULTRAMAX 400 35mm 3-Pack](https://shop.neoanaloglab.com/en/products/ultramax-400-35mm-3pack.md) | KODA-FILM135-ULTRAMAX400-ISO400-3PK | KODAK | ¥5,913 | sold out | 135 / 3 rolls × 36 exp · ISO 400 · Color negative | yes |
| [Velvia 100 120](https://shop.neoanaloglab.com/en/products/velvia-100-120.md) | FUJI-FILM120-VELVIA100-ISO-100 | FUJIFILM | ¥12,710 | sold out | 120 / 12 exp · 5 rolls · ISO 100 | yes |
| [Velvia 100 35mm](https://shop.neoanaloglab.com/en/products/velvia-100-35mm.md) | FUJI-FILM135-VELVIA100-ISO-100 | FUJIFILM | ¥2,111 | sold out | 135 / 36 exp · ISO 100 · Slide | yes |
| [Velvia 100 Sheet Film 4x5](https://shop.neoanaloglab.com/en/products/velvia-100-sheet-4x5.md) | FUJI-FILMSHEET-VELVIA100-4X5-20 | FUJIFILM | ¥7,590 | sold out | 4x5 in · 20 sheets · ISO 100 | Japan only |
| [Velvia 100 Sheet Film 8x10](https://shop.neoanaloglab.com/en/products/velvia-100-sheet-8x10.md) | FUJI-FILMSHEET-VELVIA100-8X10-20 | FUJIFILM | ¥15,290 | sold out | 8x10 in · 20 sheets · ISO 100 | Japan only |
| [Velvia 50 120](https://shop.neoanaloglab.com/en/products/velvia-50-120.md) | FUJI-FILM120-VELVIA50-ISO-50 | FUJIFILM | ¥12,710 | sold out | 120 / 12 exp · 5 rolls · ISO 50 | yes |
| [Velvia 50 35mm](https://shop.neoanaloglab.com/en/products/velvia-50-35mm.md) | FUJI-FILM135-VELVIA50-ISO-50 | FUJIFILM | ¥2,111 | sold out | 135 / 36 exp · ISO 50 · Slide | yes |
| [Velvia 50 Sheet Film 4x5](https://shop.neoanaloglab.com/en/products/velvia-50-sheet-4x5.md) | FUJI-FILMSHEET-VELVIA50-4X5-20 | FUJIFILM | ¥7,590 | sold out | 4x5 in · 20 sheets · ISO 50 | Japan only |
| [Velvia 50 Sheet Film 8x10](https://shop.neoanaloglab.com/en/products/velvia-50-sheet-8x10.md) | FUJI-FILMSHEET-VELVIA50-8X10-20 | FUJIFILM | ¥15,290 | sold out | 8x10 in · 20 sheets · ISO 50 | Japan only |
| [XP2 SUPER 120](https://shop.neoanaloglab.com/en/products/xp2-super-120.md) | ILFO-FILM120-XP2-ISO-400 | ILFORD | ¥2,542 | sold out | 120 / 12 exp · ISO 400 · C-41 B&W negative (chromogenic) | yes |
| [XP2 SUPER 35mm](https://shop.neoanaloglab.com/en/products/xp2-super-35mm.md) | ILFO-FILM135-XP2-ISO-400 | ILFORD | ¥2,111 | sold out | 135 / 36 exp · ISO 400 · C-41 B&W negative (chromogenic) | yes |

### Instant film on the shelf (6)

| Product | SKU | Brand | Price | Stock | Key specs | Ships abroad |
| --- | --- | --- | ---: | ---: | --- | --- |
| [Polaroid B&W Film for i-Type (6001)](https://shop.neoanaloglab.com/en/products/polaroid-bw-itype-film-6001.md) | POLA-FILMITYPE-BW-8PK-6001 | Polaroid | ¥2,779 | 5 | i-Type instant film / 8 exposures · ISO 640 · 3.1 × 3.1 in / 79 × 79 mm | Japan only |
| [Polaroid Color i-Type Film (6000)](https://shop.neoanaloglab.com/en/products/polaroid-color-itype-film-6000.md) | POLA-FILMITYPE-COLOR-8PK-6000 | Polaroid | ¥2,779 | 4 | i-Type instant film / 8 exposures · ISO 640 · 3.1 × 3.1 in / 79 × 79 mm | Japan only |
| [Polaroid B&W 600 Film (6003)](https://shop.neoanaloglab.com/en/products/polaroid-bw-600-film-6003.md) | POLA-FILM600-BW-8PK-6003 | Polaroid | ¥3,216 | sold out | 600 instant film / 8 exposures · ISO 640 · Built into every pack (powers camera and flash) | Japan only |
| [Polaroid Color 600 Film (6002)](https://shop.neoanaloglab.com/en/products/polaroid-color-600-film-6002.md) | POLA-FILM600-COLOR-8PK-6002 | Polaroid | ¥3,216 | sold out | 600 instant film / 8 exposures · ISO 640 · Built into every pack (powers camera and flash) | Japan only |
| [Polaroid Color i-Type Film - Black Frame Edition (6019)](https://shop.neoanaloglab.com/en/products/polaroid-color-itype-film-black-frame-6019.md) | POLA-FILMITYPE-COLOR-BF-8PK-6019 | Polaroid | ¥2,903 | sold out | i-Type instant film / 8 exposures · ISO 640 · 3.1 x 3.0 in / 79 x 77 mm | Japan only |
| [Polaroid Color i-Type Film Five Pack - 40 Photos (6010)](https://shop.neoanaloglab.com/en/products/polaroid-color-itype-film-five-pack-6010.md) | POLA-FILMITYPE-COLOR-40PK-6010 | Polaroid | ¥11,321 | sold out | i-Type instant film / 40 exposures (8 x 5 packs) · ISO 640 · 3.1 x 3.0 in / 79 x 77 mm | Japan only |

### Paper on the shelf (5)

| Product | SKU | Brand | Price | Stock | Key specs | Ships abroad |
| --- | --- | --- | ---: | ---: | --- | --- |
| [Film Washi B Bamboo Photographic Paper 12.7 × 17.8 cm](https://shop.neoanaloglab.com/en/products/washi-b-bamboo-paper-13x18.md) | WASH-PAPERBAMBOO-B-13X18-12 | Film Washi | ¥6,980 | sold out | 12.7 × 17.8 cm (5 × 7 in) · 12 sheets + 12 test strips · Grade 3, fixed | Japan only |
| [Film Washi B Bamboo Photographic Paper 8.9 × 12.7 cm](https://shop.neoanaloglab.com/en/products/washi-b-bamboo-paper-9x13.md) | WASH-PAPERBAMBOO-B-9X13-12 | Film Washi | ¥3,680 | sold out | 8.9 × 12.7 cm (3.5 × 5 in) · 12 sheets + 12 test strips · Grade 3, fixed | Japan only |
| [ILFOCOLOR RA4 COLORPAPER Glossy 8x10 100 sheets](https://shop.neoanaloglab.com/en/products/ilfocolor-ra4-colorpaper-8x10-100.md) | ILFO-PAPERRA4-GLOSSY-8X10-100 | ILFORD | ¥15,950 | sold out | Glossy · 8x10 in · 100 sheets | Japan only |
| [ILFOCOLOR RA4 COLORPAPER Glossy 8x10 25 sheets](https://shop.neoanaloglab.com/en/products/ilfocolor-ra4-colorpaper-8x10-25.md) | ILFO-PAPERRA4-GLOSSY-8X10-25 | ILFORD | ¥4,730 | sold out | 光沢 · 8x10 inch · 25枚 | Japan only |
| [MULTIGRADE RC DELUXE Pearl 8x10](https://shop.neoanaloglab.com/en/products/multigrade-rc-deluxe-pearl-8x10.md) | ILFO-PAPERRC-PEARL-8X10-IN | ILFORD | ¥4,620 | sold out | パール · 8x10 inch · 50枚 | Japan only |

### Bench equipment in stock (22)

| Product | SKU | Brand | Price | Stock | Key specs | Ships abroad |
| --- | --- | --- | ---: | ---: | --- | --- |
| [AGO Film Processor (with Paterson PTP115 Tank)](https://shop.neoanaloglab.com/en/products/ago-film-processor.md) | VINT-EQPROC-AGO-WITH-TANK | Vintage Visual | ¥83,200 | 2 | Automated film processor for Paterson Super System 4 tanks; rotary or stick agitation; automatic time compensation in rotary mode only · B&W, C-41, E-6, ECN-2, RA-4 (pre-loaded programs, expandable over Wi-Fi) · With the included tank: 135, 120, 220, 127 (110 needs the Vintage Visual REEL 110). 4x5, 9x12 cm, 5x7 and 8x10 sheet film and RA-4 paper up to 12x16 in (30x40 cm) need a larger Paterson tank and the matching REEL, sold separately. Super 8 cine film with the Vintage Visual REEL Super 8. | Japan only |
| [Paterson Super System 4 Developing Tank (3-Reel, AGO Modified)](https://shop.neoanaloglab.com/en/products/paterson-developing-tank-3-reel.md) | PATE-ACCTANK-3-REEL | Paterson | ¥6,300 | 3 | Paterson Super System 4 developing tank, 3-reel (PTP116), with AGO-modified funnel · Up to 3 roll-film reels, or one 4×5 or 9×12cm REEL (up to 4 sheets) · 135, 126, 127, 120 and 220 with Paterson Auto-Load reels; 110 with the Vintage Visual REEL 110; 4×5 and 9×12cm with Vintage Visual sheet-film REELs (reels sold separately) | Japan only |
| [Vintage Visual REEL 4x5 Sheet Film Reel](https://shop.neoanaloglab.com/en/products/ago-reel-4x5.md) | VINT-ACCREEL-4X5 | Vintage Visual | ¥12,200 | 1 | 4 sheets of 4x5 per reel (up to 8 sheets with two reels in a PTP118) · Paterson Super System 4, three-reel (PTP116) and larger; not compatible with one- or two-reel tanks · Black & white, C-41, E-6; staining developers such as PMK Pyro | Japan only |
| [AGO Film Processor (without tank)](https://shop.neoanaloglab.com/en/products/ago-film-processor-without-tank.md) | VINT-EQPROC-AGO-NO-TANK | Vintage Visual | ¥78,400 | sold out | Vintage Visual AGO automated film processor for Paterson Super System 4 tanks, working by time compensation instead of temperature regulation · B&W, C-41, E-6, ECN-2, RA-4. Pre-loaded programs: B&W (General, Cinestill DF96); C-41 (Bellini, Kodak, Fuji Hunt, Tetenal, Flic Film, Cinestill, Arista, Unicolor, Adox, Jobo); E-6 (Arista, Cinestill D6, Jobo, Ilfocolor, Adox); ECN-2 (Cinestill, Jobo, Bellini, Flic Film, Ilfocolor); RA-4 (Arista). · 135 and 120 as standard, with 220 and 127 on the standard Paterson reels; 110 needs the Vintage Visual REEL 110. Sheet film with the matching REEL: 4x5 and 9x12cm in a PTP116 or larger tank, 5x7 in a PTP117 or larger tank, 8x10 with REEL Paper5. RA-4 darkroom prints with the Paper5 reel, and RA-4 paper up to 12x16 inch (30x40cm) with REEL Paper 8. 1 to 8 rolls per run depending on the tank. Super 8 cine film with the Vintage Visual REEL Super 8. | Japan only |
| [AGO Quick Pour Funnel](https://shop.neoanaloglab.com/en/products/ago-quick-pour-funnel.md) | VINT-ACCTOOL-AGO-QUICK-POUR-FUNNEL | Vintage Visual | ¥3,600 | sold out | Pour funnel accessory for the AGO Film Processor · Any Paterson tank used with AGO; no adapters or extra parts required · Clicks into place, pinch to release; can stay attached while draining | Japan only |
| [Digital Electronic Exposure Timer](https://shop.neoanaloglab.com/en/products/digital-electronic-exposure-timer.md) | KAIS-EQTIMER-BENCH-UNIT-99-SEC | Kaiser | ¥14,080 | sold out | 卓上型 · 0.1秒〜99秒 · 最大500W | Japan only |
| [Film Washi Z 400 Single Use Camera](https://shop.neoanaloglab.com/en/products/washi-z-single-use-camera.md) | WASH-CAMERASU-Z-ISO-400 | Film Washi | ¥3,680 | sold out | Single use camera, 135 film / 24 exp · ISO 400 · Black and white negative | Japan only |
| [Lensboard for Printmaker 35/67 Enlargers](https://shop.neoanaloglab.com/en/products/lensboard-for-printmaker-35-67-enlargers.md) | BESE-EQENL-M39-ALUMINUM | Beseler | ¥5,720 | sold out | M39 · 削り出しアルミ · サテンブラック | Japan only |
| [Paterson Super System 4 Auto-Load Reel (PTP119)](https://shop.neoanaloglab.com/en/products/paterson-developing-reel.md) | PATE-ACCREEL-135-120 | Paterson | ¥2,300 | sold out | Auto-load developing reel (Paterson Super System 4) · 35mm / 127 / 120 / 220 (adjustable width). 110 needs the separate Vintage Visual REEL 110. · 1 roll per reel | Japan only |
| [Paterson Super System 4 Developing Tank 1-Reel (AGO-Ready)](https://shop.neoanaloglab.com/en/products/paterson-developing-tank-1-reel.md) | PATE-ACCTANK-1-REEL | Paterson | ¥4,600 | sold out | Paterson Super System 4 developing tank (PTP114) · 35mm (135), 1 roll. 110 also possible with the Vintage Visual REEL 110 (sold separately). Not 120 or 220. · 250ml with AGO rotary agitation / 300ml by hand inversion | Japan only |
| [Paterson Super System 4 Developing Tank 2-Reel (AGO-Modified Funnel)](https://shop.neoanaloglab.com/en/products/paterson-developing-tank-2-reel.md) | PATE-ACCTANK-2-REEL | Paterson | ¥5,400 | sold out | Universal developing tank, 2-reel (PTP115) · 2 x 35mm, or 1 x 120; 127 and 220 load onto the same reels · 350 ml minimum with AGO | Japan only |
| [Paterson Super System 4 Multi-Reel 5 Developing Tank (AGO-Modified Funnel)](https://shop.neoanaloglab.com/en/products/paterson-developing-tank-5-reel.md) | PATE-ACCTANK-5-REEL | Paterson | ¥8,600 | sold out | Paterson Super System 4 Multi-Reel 5 tank (PTP117) · Up to five 35mm films, or three 120/220 films · 35mm, 120, 220 and 127 on Paterson reels; 110 with REEL 110; 4x5, 9x12cm, 5x7 and 8x10 RA-4 paper with the matching Vintage Visual REELs | Japan only |
| [Paterson Super System 4 Multi-Reel 8 Tank PTP118 with AGO Funnel](https://shop.neoanaloglab.com/en/products/paterson-developing-tank-8-reel.md) | PATE-ACCTANK-8-REEL | Paterson | ¥11,200 | sold out | Paterson Super System 4 multi-reel developing tank with AGO-modified funnel · PTP118 · Up to 8 reels: eight 35mm films or five 120/220 films | Japan only |
| [Vintage Visual AGO Modified Funnel and Rear Stand Kit](https://shop.neoanaloglab.com/en/products/ago-modified-funnel-rear-stand-kit.md) | VINT-ACCTOOL-AGO-FUNNEL-STAND-KIT | Vintage Visual | ¥5,500 | sold out | Accessory kit for the AGO Film Processor · Modified funnel x1 / rear stand x1 / adapters for older Paterson tanks x3 · All current Paterson Super System 4 tanks (1-8 reels depending on tank); older tanks with a narrower lid opening via the included adapters | Japan only |
| [Vintage Visual LED Light for Super 8 Reel](https://shop.neoanaloglab.com/en/products/ago-super-8-led-light.md) | VINT-ACCTOOL-SUPER-8-LED | Vintage Visual | ¥14,200 | sold out | RGB LED light for film re-exposure · Second exposure for B&W reversal (Scala) · Vintage Visual REEL – Super 8 (sold separately) | Japan only |
| [Vintage Visual REEL 110 Film Developing Reel](https://shop.neoanaloglab.com/en/products/ago-reel-110.md) | VINT-ACCREEL-110 | Vintage Visual | ¥5,700 | sold out | Film developing reel · 110 pocket film / one cartridge per reel · All Paterson Super System 4 tanks / hand inversion or AGO rotary agitation | Japan only |
| [Vintage Visual REEL 5x7](https://shop.neoanaloglab.com/en/products/ago-reel-5x7.md) | VINT-ACCREEL-5X7 | Vintage Visual | ¥12,200 | sold out | Developing reel for sheet film · 5x7 inch / 13x18cm sheet film · 2 sheets per reel | Japan only |
| [Vintage Visual REEL 9x12cm Sheet Film Reel](https://shop.neoanaloglab.com/en/products/ago-reel-9x12.md) | VINT-ACCREEL-9X12 | Vintage Visual | ¥12,200 | sold out | Sheet film developing reel (9x12 cm) · 4 sheets per reel; 8 sheets with two reels in a PTP118 tank · Paterson PTP116 (3-reel) or larger; does not fit 1-reel or 2-reel tanks | Japan only |
| [Vintage Visual REEL Paper 5](https://shop.neoanaloglab.com/en/products/ago-reel-paper-5.md) | VINT-ACCREEL-PAPER-5 | Vintage Visual | ¥17,800 | sold out | Developing reel for Paterson tanks · Up to 8x10 in. paper or sheet film; 5x7 uses the separate REEL 5x7, which fits inside the Paper 5 · RA-4 colour prints, black & white paper, large format sheet film | Japan only |
| [Vintage Visual REEL Paper 5 + 5x7 Bundle](https://shop.neoanaloglab.com/en/products/ago-reel-5x7-paper-5-set.md) | VINT-ACCREEL-5X7-PAPER-5-SET | Vintage Visual | ¥24,300 | sold out | Developing reel set for sheet film and paper · REEL Paper 5 x1, REEL 5x7 x1 · Paper 5: film or paper up to 8x10 in / REEL 5x7: 5x7 in or 13x18cm, up to 2 sheets per reel | Japan only |
| [Vintage Visual REEL Paper 8](https://shop.neoanaloglab.com/en/products/ago-reel-paper-8.md) | VINT-ACCREEL-PAPER-8 | Vintage Visual | ¥21,800 | sold out | Paper developing reel for the AGO Film Processor · Up to 30 x 40 cm (12 x 16 in) · RA-4 colour prints and B&W paper / rotary processing only, not for hand inversion | Japan only |
| [Vintage Visual REEL Super 8](https://shop.neoanaloglab.com/en/products/ago-reel-super-8.md) | VINT-ACCREEL-SUPER-8 | Vintage Visual | ¥56,700 | sold out | Paterson Super System 4 Multi-Reel 8 tank (PTP118) only · One 50 ft / 15.24 m Super 8 cartridge per reel · B&W / C-41 / E-6 / B&W reversal (Scala) | Japan only |

### Utility stock on hand (13)

| Product | SKU | Brand | Price | Stock | Key specs | Ships abroad |
| --- | --- | --- | ---: | ---: | --- | --- |
| [Film Washi 120 Processing Leader](https://shop.neoanaloglab.com/en/products/washi-processing-leader-120.md) | WASH-ACCLEADER-120 | Film Washi | ¥1,080 | 5 | 120 roll film (accessory, 120 only) · Blank plastic leader strip on a 120 spool; polymer not published · Film Washi W-25 and Y-100 paper-base film, 120 only | Japan only |
| [Developing Tray Set 12x16](https://shop.neoanaloglab.com/en/products/developing-tray-set-12x16.md) | PATE-ACCTRAY-3-TRAYS-11X14-IN | Paterson | ¥7,040 | sold out | 3枚組 · 11x14 inch · 耐薬品プラスチック | Japan only |
| [ILFORD ILFOCOLOR E6 Developing Kit 2.5L](https://shop.neoanaloglab.com/en/products/ilfocolor-e6-kit-2-5l.md) | ILFO-CHEM-E6KIT-2P5L-244002 | ILFORD | ¥14,198 | sold out | Color reversal film developing kit · E-6 · Up to 2.5L | Japan only |
| [ILFORD ILFOTEC DD-X Developer 1L](https://shop.neoanaloglab.com/en/products/ilford-ilfotec-ddx-1l.md) | ILFO-CHEM-BW-DDX-1L-1177857 | ILFORD | ¥7,284 | sold out | Liquid concentrate black-and-white film developer · 1L · 1+4 typical one-shot use | Japan only |
| [Kodak XTOL Developer 5L](https://shop.neoanaloglab.com/en/products/kodak-xtol-developer-5l.md) | KODA-CHEM-BW-XTOL-5L | KODAK | ¥3,300 | sold out | Powder film developer · Makes 5L · B&W film development | Japan only |
| [Paterson Changing Bag](https://shop.neoanaloglab.com/en/products/paterson-changing-bag.md) | PATE-ACCTOOL-CHANGING-BAG | Paterson | ¥6,300 | sold out | Double-skin light-tight changing bag · W640 × L700 mm (manufacturer stated) · Fail-safe double skin with zip closure | Japan only |
| [Paterson Film Clip Set PTP218](https://shop.neoanaloglab.com/en/products/paterson-film-clips.md) | PATE-ACCTOOL-FILM-CLIPS | Paterson | ¥3,300 | sold out | Film drying clips (darkroom accessory) · PTP218 · 2 clips: one weighted, one unweighted | Japan only |
| [Paterson Measuring Graduate 1200ml](https://shop.neoanaloglab.com/en/products/paterson-graduate-1200ml.md) | PATE-ACCTOOL-GRADUATE-1200ML | Paterson | ¥2,700 | sold out | Measuring graduate · 1200 ml (largest of the five Paterson graduates) · Transparent polystyrene, resistant to most photographic chemicals | Japan only |
| [Paterson Measuring Graduate 45ml](https://shop.neoanaloglab.com/en/products/paterson-graduate-45ml.md) | PATE-ACCTOOL-GRADUATE-45ML | Paterson | ¥1,600 | sold out | Measuring graduate, cylindrical laboratory design · 45ml · Transparent polystyrene | Japan only |
| [Paterson Measuring Graduate 600ml](https://shop.neoanaloglab.com/en/products/paterson-graduate-600ml.md) | PATE-ACCTOOL-GRADUATE-600ML | Paterson | ¥2,300 | sold out | Measuring graduate, cylindrical laboratory design · 600ml · Transparent polystyrene | Japan only |
| [Shipping — Japan domestic (Yu-Pack 60)](https://shop.neoanaloglab.com/en/products/shipping-support-domestic.md) | NAL-SHIP-JP-YUPACK60 | Neo Analog Lab | ¥667 | sold out | Japan Post Yu-Pack 60 size · Japan domestic · Postage only. Not a product. | Japan only |
| [Shipping — overseas (international parcel, air)](https://shop.neoanaloglab.com/en/products/shipping-support-overseas.md) | NAL-SHIP-INTL-PARCEL-AIR | Neo Analog Lab | ¥3,594 | sold out | Japan Post international parcel (air) · Overseas · Paid by recipient | Japan only |
| [ULT 35-6BXW Negative Pages](https://shop.neoanaloglab.com/en/products/ult-35-6bxw-negative-pages.md) | PF-ACCSLEEVE-35MM-25-PAGES | Print File | ¥1,980 | sold out | 35mm · 25 pages · Polypropylene | Japan only |

## Film developing and scanning

Mail film to the lab and order online; each roll is specified separately. Customers abroad can post film too: negatives go back by Japan Post at its international postage plus a packing fee (not yet to the United States). Standard prices without push/pull, rush or negative return (full options and the mailing steps: https://shop.neoanaloglab.com/en/processing.md):

| Format | Process | Service | Price |
| --- | --- | --- | ---: |
| 120 | Black-and-white | develop only | ¥693 |
| 120 | Black-and-white | develop + JPG 10MP scan | ¥957 |
| 120 | C-41 colour negative | develop only | ¥858 |
| 120 | C-41 colour negative | develop + JPG 10MP scan | ¥1,122 |
| 120 | E-6 slide | develop only | ¥1,243 |
| 120 | E-6 slide | develop + JPG 10MP scan | ¥1,507 |
| 120 | ECN-2 cine | develop only | ¥1,001 |
| 120 | ECN-2 cine | develop + JPG 10MP scan | ¥1,265 |
| 120 | Scan only (film already developed) | JPG 10MP scan | ¥539 |
| 35mm (135) | Black-and-white | develop only | ¥550 |
| 35mm (135) | Black-and-white | develop + JPG 10MP scan | ¥814 |
| 35mm (135) | C-41 colour negative | develop only | ¥715 |
| 35mm (135) | C-41 colour negative | develop + JPG 10MP scan | ¥979 |
| 35mm (135) | E-6 slide | develop only | ¥1,100 |
| 35mm (135) | E-6 slide | develop + JPG 10MP scan | ¥1,364 |
| 35mm (135) | ECN-2 cine | develop only | ¥858 |
| 35mm (135) | ECN-2 cine | develop + JPG 10MP scan | ¥1,122 |
| 35mm (135) | Scan only (film already developed) | JPG 10MP scan | ¥539 |
| Sheet | Black-and-white | develop only | ¥836 |
| Sheet | Black-and-white | develop + JPG 10MP scan | ¥1,100 |
| Sheet | C-41 colour negative | develop only | ¥1,001 |
| Sheet | C-41 colour negative | develop + JPG 10MP scan | ¥1,265 |
| Sheet | E-6 slide | develop only | ¥1,386 |
| Sheet | E-6 slide | develop + JPG 10MP scan | ¥1,650 |
| Sheet | ECN-2 cine | develop only | ¥1,144 |
| Sheet | ECN-2 cine | develop + JPG 10MP scan | ¥1,408 |
| Sheet | Scan only (film already developed) | JPG 10MP scan | ¥825 |

## Frequently asked questions

### How do you hold 38°C for C-41 development at home?

**There are two answers: hold the chemistry at 38°C, or add time to make up for the drift.**

C-41's standard temperature is 38°C and the developer step is around 3 minutes 15 seconds. Because the step is short, a one-degree error matters — this is where home colour development usually goes wrong.

**Option 1: hold the temperature.** Sit the bottles in a tub of 40–43°C water, wait until they read 38°C, and start. In winter the bath cools during the run, so you top it up. Plenty of people repurpose a sous-vide cooker or an aquarium thermostat; anything that controls to 0.5°C works.

**Option 2: compensate with time.** Warm the chemistry roughly, and when the temperature drifts during processing, extend the development time to match. The [AGO Film Processor](/en/products/ago-film-processor) works this way, which removes the need for a temperature-holding device at all. Note that **time compensation only runs in rotary (horizontal) mode** — stood upright for stick agitation, the temperature probe is not in the liquid, so compensation switches off.

A lower-temperature process around 30°C also exists, but fewer kits support it.

For what it's worth, C-41 is only three steps — colour developer, blix, stabiliser — so once temperature is solved it is simpler than black-and-white.

Source: https://shop.neoanaloglab.com/en/news/faq-color-home-development-temperature

### What is the AGO Film Processor, and how can it work without controlling temperature?

**The AGO Film Processor is a battery-powered agitator that grips a Paterson Super System 4 tank and turns it.** It is designed and built by Vintage Visual OÜ in Estonia.

It gets consistent results without a heater because it **replaces temperature control with time compensation**. A sensor watches the chemistry during the run and extends development time to match any drop (Active Time-Compensation). You warm the chemistry roughly, pick a program, and press start.

- Processes: B&W, C-41, E-6, ECN-2 and RA-4, with separate programs per chemistry brand, added over Wi-Fi
- Agitation: rotary (horizontal) and stick (vertical). **Time compensation only runs in rotary mode**
- Chemistry: rotary processing uses up to 60% less than traditional vertical or inversion agitation
- Body: 88 × 136 × 170 mm, 556 g, IP56, two 18650 Li-ion cells giving 4–5 hours of continuous use, USB-C charging

No darkroom is needed — only a changing bag for loading film onto the reels.

Sources: [AGO Film Processor product page](https://vintagevisual.eu/pages/ago-film-processor/), [AGO wiki](https://www.vintagevisual.eu/wiki/ago-wiki/machine-overview/)

Source: https://shop.neoanaloglab.com/en/news/faq-what-is-ago-film-processor

### Does the AGO work with a Paterson tank I already own?

**Yes. AGO works with the whole Paterson Super System 4 range, PTP114 through PTP118.**

One modification is required: the **funnel needs three holes drilled into its side** so chemistry can be introduced. Vintage Visual supplies a drilling template with every processor, and also sells a [pre-modified funnel and rear stand kit](/en/products/ago-modified-funnel-rear-stand-kit) if you would rather not drill. Each additional tank needs its own funnel.

Minimum chemistry volumes per tank, as published by the manufacturer:

| Tank | 110/135/120/220/127 | 4×5 / 9×12cm | 5×7 | Paper 5 (8×10) |
| --- | --- | --- | --- | --- |
| 1-reel PTP114 | 250ml | — | — | — |
| 2-reel PTP115 | 350ml | — | — | — |
| 3-reel PTP116 | 450ml | 350ml | — | — |
| 5-reel PTP117 | 650ml | 500ml | 350ml | 250ml |
| 8-reel PTP118 | 950ml | 750ml | 500ml | 400ml |

One to eight rolls per run, depending on the tank. Older Paterson tank systems and other makes such as Jobo or AP are not supported.

If you already own tanks, the [processor on its own](/en/products/ago-film-processor-without-tank) is the one to get; starting from scratch, the [complete set with tank](/en/products/ago-film-processor) includes the tank and reels.

Source: https://shop.neoanaloglab.com/en/news/faq-ago-paterson-tank-compatibility

### How much chemistry does rotary processing actually save?

**Up to 60%, according to the manufacturer.** Inversion agitation needs enough liquid to cover the film completely; roll the tank on its side and a shallow pool reaches every part of the reel as it turns.

In real numbers, a two-reel Paterson PTP115 needs **350ml per step**. Mix one litre of a C-41 kit and that is two rolls several times over.

| Tank | Rotary volume (135/120) |
| --- | --- |
| 1-reel PTP114 | 250ml |
| 2-reel PTP115 | 350ml |
| 3-reel PTP116 | 450ml |
| 5-reel PTP117 | 650ml |
| 8-reel PTP118 | 950ml |

Less chemistry also means less waste to dispose of. C-41 and E-6 kits have a limited life once mixed, so being able to work in small volumes is a real saving rather than a theoretical one.

The [AGO Film Processor](/en/products/ago-film-processor) supports both rotary and stick agitation, but the chemistry saving and time compensation both apply in rotary mode.

Source: https://shop.neoanaloglab.com/en/news/faq-rotary-processing-chemistry-saving

### Can the AGO handle 4×5, Super 8 and RA-4 prints?

**Yes. Each format is handled by adding its own reel.**

The included tank and reels cover 135 and 120. 127 and 220 also load onto the standard Paterson reels. Everything else needs a dedicated reel.

| Format | Reel | Tank needed |
| --- | --- | --- |
| 110 | [REEL 110](/en/products/ago-reel-110) | any tank |
| 4×5 | [REEL 4x5](/en/products/ago-reel-4x5) | PTP116 or larger |
| 9×12cm | [REEL 9x12](/en/products/ago-reel-9x12) | PTP116 or larger |
| 5×7 | [REEL 5x7](/en/products/ago-reel-5x7) | PTP117 or larger |
| 8×10 | [REEL Paper 5](/en/products/ago-reel-paper-5) | PTP117 or larger |
| Super 8 cine film | [REEL Super 8](/en/products/ago-reel-super-8) | — |
| RA-4 colour prints | REEL Paper 5 / [REEL Paper 8](/en/products/ago-reel-paper-8) (to 30×40cm) | PTP117 or larger |

RA-4 support means **you can process colour prints without owning a darkroom drum**. Not many home machines cover that much ground.

If you want both 5×7 and Paper 5, the [bundle](/en/products/ago-reel-5x7-paper-5-set) costs less than buying them separately.

Source: https://shop.neoanaloglab.com/en/news/faq-ago-large-format-super8-ra4

### Why do my scans look grainy or color-shifted?

**Grain** is intrinsic to film, but it becomes prominent with: high-ISO stocks (800+), push processing, and above all **underexposure**. When a thin negative is brightened during scanning, shadow grain blows up. If a roll looks "rougher than expected," underexposure is the usual culprit.

**Color shifts** typically come from: (1) expired or heat-damaged film, (2) underexposure (negatives store little color information in the shadows), (3) unusual light sources (fluorescent, mixed light). The classic case: tungsten-balanced cinema film (500T) shot in daylight without a filter goes blue.

We adjust color and density frame by frame, but no scan can recover information the negative never recorded. **"When in doubt, overexpose negatives slightly"** is the single best rule for clean scans.

## Sources

- [Kodak VISION3 500T technical data sheet](https://www.kodak.com/content/products-brochures/Film/VISION3_5219_7219_Technical-data.pdf)
- [ILFORD's official guide to film speed and grain](https://www.ilfordphoto.com/choosing-your-first-ilford-film/)
- [Kodak's GOLD 200 exposure latitude specifications](https://www.kodak.com/en/still-film/product/consumer/gold-200-film/)

Source: https://shop.neoanaloglab.com/en/news/faq-grain-color-shift

### What is the difference between negative and reversal (slide) film?

**Negative film** records the image with tones inverted (color negatives add the orange mask on top). You only see the final picture after printing or scanning inverts it back. Its greatest strength is **exposure latitude**: a stop or two of error is recoverable, which makes it ideal for beginners.

**Reversal (slide) film** develops directly into a positive. On a light table, the transparency and color intensity are unlike anything else. But the **exposure latitude is razor thin** (about ±0.5 stop), demanding accurate metering and technique.

Starting out? Shoot color negative (C41). Once your exposure is confident, treat yourself to the E6 reversal experience.

## Sources

- [Kodak's Gold 200 technical data sheet (E-7022)](https://www.kodakprofessional.com/sites/default/files/wysiwyg/pro/resources/E7022%20Gold%20tech%20sheet.pdf)
- [Fujifilm's Professional Film Data Guide](https://asset.fujifilm.com/www/ca/files/2020-03/d52487c5c6f84e7f935c299491c5c1ff/ProfessionalFilmDataGuide.pdf)
- [Kodak's EKTACHROME color reversal processing manual](https://www.kodak.com/content/products-brochures/Film/Processing-KODAK-Motion-Picture-Films-Module-11.pdf)

Source: https://shop.neoanaloglab.com/en/news/faq-negative-vs-reversal

### Will airport X-rays fog my film?

**Traditional carry-on X-ray machines**: film ISO 800 and slower rarely shows visible damage after a few passes - but damage accumulates, so be careful on multi-leg trips.

**CT scanners** (the newer machines rolling out worldwide) use far stronger doses and **can fog film with stripe patterns in a single pass**.

**Checked-baggage X-rays are the strongest of all - never put film in checked luggage.**

Best practice: carry all film in a clear plastic bag and **ask for a hand inspection** at security. Most airports will accommodate: "Film, hand check please."

## Sources

- [TSA's official guidance on traveling with photographic film](https://www.tsa.gov/travel/security-screening/whatcanibring/items/film)
- [Kodak's advisory on CT scanning X-ray technology and film](https://kodakprofessional.com/photographers/resources/ct-scanning-x-ray-technology-and-film)
- [ILFORD (HARMAN) advice on airport X-ray scanners and film](https://harmanlab.com/pages/advice-on-airport-x-ray-scanners)

Source: https://shop.neoanaloglab.com/en/news/faq-xray

### How should I store film? Can I still shoot expired film?

**Unused film** hates heat and humidity. Refrigerate rolls you will use within months; freeze anything you are keeping for years. Let film warm up for 2-3 hours before opening to avoid condensation.

**Exposed film**: the latent image fades over time, so **develop your shot rolls promptly**.

**Expired film** is shootable, but expect lower effective speed, more base fog, and color shifts. The classic rule of thumb: add one stop of exposure for every decade past expiry. The unpredictability is part of the charm - but for important occasions, shoot in-date film.

## Sources

- [Kodak's technical publication Storage and Care of KODAK Photographic Materials (E-30)](https://kodakprofessional.com/sites/default/files/wysiwyg/pro/CIS_E30.pdf)
- [Fujifilm's film data sheet on unprocessed film handling and storage](https://asset.fujifilm.com/www/us/files/2022-02/f4606a5c43dacb389a1d9eb35e0b18db/fujifilm-200-speed-film_data-sheet.pdf)
- [ILFORD's official film FAQ](https://www.ilfordphoto.com/faqs/ilford-film-faqs/)

Source: https://shop.neoanaloglab.com/en/news/faq-film-storage

### Can I get already-developed film scanned only?

Absolutely. On the processing order page, choose the **"Scan only (developed film)"** button for each roll. Since no development is involved, you only pay for the scanning.

Great for:

- Digitizing old negatives and slides found at home
- High-quality scans of film developed elsewhere or self-developed
- Re-scanning rolls that were only scanned at low resolution before

Cut, sleeved film strips are fine to send as-is. After scanning, your film is **always returned** (return shipping is included in the price). For older film with mold or strong curl, we will handle it as carefully as we can - just mention it in the order notes.

## Sources

- [Kodak's official film storage and handling guidance](https://www.kodak.com/en/motion/page/storage-information/)
- [the National Film Preservation Foundation's storage guidance](https://www.filmpreservation.org/preservation-basics/good-storage-practices)
- [the Image Permanence Institute's Visual Decay Guide](https://www.filmcare.org/visual_decay)

Source: https://shop.neoanaloglab.com/en/news/faq-scan-only

### What is the difference between C41, E6, B&W, and ECN-2 processing? Which does my film need?

**C41**: the standard process for color negative film - Kodak Gold, Portra, Fujifilm color negatives.

**E6**: for reversal (slide) film, which develops into a positive you can view directly on a light table - Ektachrome, Provia, Velvia.

**B&W**: black-and-white negative development - HP5 Plus, Tri-X, Delta, ACROS. B&W reversal is a separate, special process.

**ECN-2**: for cinema color negative stocks like Kodak VISION3 (500T, 250D). The chemistry differs from C41 and the remjet backing must be removed.

When in doubt, check the box or cassette for "Process C-41" / "E-6" markings - or just write the film name in the order notes and we will identify it for you.

## Sources

- [Kodak VISION3 500T technical data sheet (Process ECN-2, rem-jet backing)](https://www.kodak.com/content/products-brochures/Film/VISION3_5219_7219_Technical-data.pdf)
- [ILFORD's official black & white reversal processing guide](https://www.ilfordphoto.com/reversal-processing/)
- [Kodak EKTACHROME E100 product page (E-6 process)](https://www.kodak.com/en/still-film/product/professional/ektachrome-e100-film/)

Source: https://shop.neoanaloglab.com/en/news/faq-c41-e6-bw

### What are push and pull development?

**Push development** extends the development time for film exposed above its box speed - for example ISO 400 film shot at 1600 in low light is "pushed 2 stops." Expect stronger contrast and more pronounced grain; many photographers love the look.

**Pull development** is the opposite: shortened development for film that was overexposed (shot below box speed).

When ordering, tell us the difference in stops between the ISO you actually set and the film's box speed. Push/pull applies to the whole roll, so **you cannot change ISO mid-roll**. We support ±1-5 stops.

## Sources

- [Kodak's Tri-X technical data sheet (F-4017)](https://business.kodakmoments.com/sites/default/files/files/resources/f4017_TriX.pdf)
- [ILFORD's official guide to processing black & white film](https://www.ilfordphoto.com/wp/wp-content/uploads/2017/04/Processing-your-first-black-and-white-film.pdf)
- [ISO 6:1993 film speed standard](https://www.iso.org/standard/3580.html)

Source: https://shop.neoanaloglab.com/en/news/faq-push-pull

### How do I choose a scan resolution (10MP / 24MP / 60MP)?

**10MP**: plenty for viewing on phones and computers and for social media. Small, easy-to-manage files - great if you mostly shoot for the record.

**24MP**: comfortably supports A4-A3 prints and is the best-balanced choice. When in doubt, pick this.

**60MP**: maximum quality for large prints, aggressive cropping, or archival purposes - it records the film grain itself. Especially worthwhile for 120 (medium format), which holds more detail than 135 to begin with.

One caveat: higher scan resolution cannot invent detail that was never captured on the film. Work backwards from how you plan to use the images.

## Sources

- [Kodak T-MAX 100 technical data sheet (F-4016, resolving power up to 200 lines/mm)](https://www.kodakprofessional.com/sites/default/files/wysiwyg/pro/resources/f4016_TMax_100.pdf)
- [Kodak Portra 400 technical data sheet (E-4050)](https://kodakprofessional.com/sites/default/files/2025-07/e4050.pdf)
- [Epson's recommended print resolution guidance (300–360 dpi)](https://www.epson.co.uk/en_GB/faq/KA-01467/contents?loc=en-us)

Source: https://shop.neoanaloglab.com/en/news/faq-scan-resolution

### What is the orange mask on color negative film, and why is it removed when digitizing?

Hold a color negative up to the light and the whole strip looks orange. That is the **orange mask** - not dirt or age, but part of the film's design. Color dyes are inherently imperfect, so manufacturers build an orange corrective layer into the emulsion. In the darkroom era this mask is what made accurate color printing possible.

When digitizing, simply inverting an orange-tinted negative produces a heavy blue-cyan cast. Scanning therefore has to **measure and cancel the mask first, then invert the tones** to recover the real color balance - this step is what "mask removal" means.

Our scans measure the base color of every roll individually, remove it, and then fine-tune the palette to the character of each film stock. The same negative can look dramatically different depending on how well the mask removal is done.

## Sources

- [Kodak's technical guide "Exploring the Color Image" (Masking by Colored Couplers, pp. 40–43)](https://www.kodak.com/content/products-brochures/Film/Exploring-the-Color-Image.pdf)
- [Kodak's "The Essential Reference Guide for Filmmakers"](https://www.kodak.com/content/products-brochures/Film/kodak-essential-reference-guide-for-filmmakers.pdf)

Source: https://shop.neoanaloglab.com/en/news/faq-orange-mask

### What is the difference between RAW and JPG scans? Which should I choose?

**JPG** files are finished images: we remove the orange mask (for negatives) and grade every frame. They open anywhere and are instantly ready for sharing or printing. For most customers JPG is the right choice.

**RAW** (our scanners output DNG) is the **scanner's raw data with no mask removal and no grading applied**. A color-negative RAW opens as an orange negative image - you invert, remove the mask, and grade it yourself in Lightroom + Negative Lab Pro or similar. Maximum control, but it requires post-processing skills and time, and files are several times larger.

**Not sure?** For everyday shooting, JPG. If you want full control over the final look, RAW+JPG gives you both: browse the roll in JPG, then finish your favorite frames from RAW.

## Sources

- [Negative Lab Pro, a Lightroom plugin for negative conversion](https://www.negativelabpro.com/)

Source: https://shop.neoanaloglab.com/en/news/faq-raw-vs-jpg

## AGO film processor guides (Japanese translation of the official wiki)

- [AGO 本体の使い方: AGO フィルム現像機の取り付け方](https://shop.neoanaloglab.com/ja/guides/ago/assembling.md)
- [AGO 本体の使い方: AGO フィルム現像機の使い方（現像の流れ）](https://shop.neoanaloglab.com/ja/guides/ago/getting-started.md)
- [AGO 本体の使い方: AGO フィルム現像機の本体概要](https://shop.neoanaloglab.com/ja/guides/ago/machine-overview.md)
- [AGO 本体の使い方: AGO の使い方：プログラム・設定・ファームウェア](https://shop.neoanaloglab.com/ja/guides/ago/using-the-ago-custom-programs-settings-firmware.md)
- [AGO 本体の使い方: AGO フィルム現像機のファームウェア更新](https://shop.neoanaloglab.com/ja/guides/ago/firmware-update-guidance.md)
- [AGO 本体の使い方: AGO フィルム現像機のメンテナンス](https://shop.neoanaloglab.com/ja/guides/ago/maintenance-of-ago.md)
- [AGO 本体の使い方: AGO フィルム現像機の最少薬液量チャート](https://shop.neoanaloglab.com/ja/guides/ago/minimum-chemical-volumes-chart.md)
- [フィルム現像の手順: 自宅で白黒フィルムを現像する方法：初心者ガイド](https://shop.neoanaloglab.com/ja/guides/ago/developing-your-first-bw-film.md)
- [フィルム現像の手順: スターターキットガイド：白黒フィルムの自宅現像](https://shop.neoanaloglab.com/ja/guides/ago/bw-starter-kit-guide.md)
- [フィルム現像の手順: 自宅でカラーフィルムを現像する方法：C-41 完全ガイド](https://shop.neoanaloglab.com/ja/guides/ago/how-to-develop-colour-film-at-home.md)
- [フィルム現像の手順: 白黒プロセスで任意の温度を使う方法](https://shop.neoanaloglab.com/ja/guides/ago/using-custom-temperature-in-a-bw-process.md)
- [フィルム現像の手順: Bellini C-41 キットでの自宅カラー現像](https://shop.neoanaloglab.com/ja/guides/ago/developing-with-bellini-c-41-kit.md)
- [フィルム現像の手順: Kodak C-41 キットで自宅カラー現像](https://shop.neoanaloglab.com/ja/guides/ago/developing-with-kodak-c41-kit.md)
- [フィルム現像の手順: CineStill CS41 パウダーキットで自宅カラー現像](https://shop.neoanaloglab.com/ja/guides/ago/developing-at-home-with-cinestill-cs41-powder-kit.md)
- [フィルム現像の手順: Flic Film キットで ECN-2 を自宅現像する](https://shop.neoanaloglab.com/ja/guides/ago/developing-with-ecn-2-film-at-home-with-flic-film-kit.md)
- [フィルム現像の手順: AGO で行う RA-4 カラープリントの基本](https://shop.neoanaloglab.com/ja/guides/ago/basics-of-ra-4-colour-printing-with-ago.md)
- [フィルム現像の手順: AGO フィルム現像機による RA-4 プリントの基礎](https://shop.neoanaloglab.com/ja/guides/ago/ra-4-printing-basics-pdf.md)
- [トラブルシューティング: フィルムが現像されなかったとき](https://shop.neoanaloglab.com/ja/guides/ago/my-film-did-not-get-developed.md)
- [トラブルシューティング: WiFi に接続できないとき](https://shop.neoanaloglab.com/ja/guides/ago/wifi-connection-problems.md)
- [トラブルシューティング: バッテリーのトラブルシューティング](https://shop.neoanaloglab.com/ja/guides/ago/ago-battery-troubleshooting-and-battery-problems.md)
- [トラブルシューティング: 温度表示と温度センサーのトラブル](https://shop.neoanaloglab.com/ja/guides/ago/temperature-sensor-problems.md)
- [トラブルシューティング: 8 リールタンクで下のフィルムが現像不足](https://shop.neoanaloglab.com/ja/guides/ago/issues-with-8-reel-tank-film-under-developed-at-the-bottom-of-8-reel-tank.md)
- [トラブルシューティング: AGO の中で何かが緩んでいるような音](https://shop.neoanaloglab.com/ja/guides/ago/something-sounds-loose-inside-of-ago.md)
- [トラブルシューティング: AGO で液漏れが起きたとき](https://shop.neoanaloglab.com/ja/guides/ago/leakage-using-ago-film-processor.md)
- [リール別ガイド: REEL Super 8 現像リール](https://shop.neoanaloglab.com/ja/guides/ago/reel-super-8.md)
- [リール別ガイド: REEL Super 8 装填手順ガイド](https://shop.neoanaloglab.com/ja/guides/ago/reel-super-8-guidance-sheet.md)
- [リール別ガイド: REEL 9x12 cm 現像リール](https://shop.neoanaloglab.com/ja/guides/ago/reel-9x12cm-guidance.md)
- [リール別ガイド: REEL 9x12cm 装填説明書](https://shop.neoanaloglab.com/ja/guides/ago/reel-9x12-booklet.md)
- [リール別ガイド: Paper5 + REEL 5x7 でのプリント現像](https://shop.neoanaloglab.com/ja/guides/ago/reel-bundle-paper-5-5x7-guidance.md)
- [リール別ガイド: REEL 5x7 現像リール](https://shop.neoanaloglab.com/ja/guides/ago/reel-5x7-guidance.md)
- [リール別ガイド: REEL 110 フォーマット現像リール](https://shop.neoanaloglab.com/ja/guides/ago/reel-110-guidance.md)
- [リール別ガイド: Paper5 現像リール](https://shop.neoanaloglab.com/ja/guides/ago/reel-paper-5-guidance.md)
- [リール別ガイド: REEL 4x5 現像リール](https://shop.neoanaloglab.com/ja/guides/ago/reel-4x5-guidance.md)
- [ファームウェア リリースノート: ファームウェア 6.5.5 リリースノート](https://shop.neoanaloglab.com/ja/guides/ago/firmware-655-release-notes.md)
- [ファームウェア リリースノート: ファームウェア 6.5.4 リリースノート](https://shop.neoanaloglab.com/ja/guides/ago/firmware-654-release-notes.md)
- [ファームウェア リリースノート: ファームウェア 6.5.3 リリースノート](https://shop.neoanaloglab.com/ja/guides/ago/firmware-653-release-notes.md)
- [ファームウェア リリースノート: ファームウェア 6.5.2 リリースノート](https://shop.neoanaloglab.com/ja/guides/ago/firmware-652-release-notes.md)

## Latest articles

- [Negative return shipping: ¥351 once per order](https://shop.neoanaloglab.com/en/news/negative-return-shipping-2026-10.md)
- [Selected film prices updated following the ClickPost postage increase](https://shop.neoanaloglab.com/en/news/clickpost-rate-revision-2026-10.md)
- [The first AGO shipment has cleared customs](https://shop.neoanaloglab.com/en/news/ago-first-shipment-in-stock.md)
- [We are now an authorised Vintage Visual retailer in Japan](https://shop.neoanaloglab.com/en/news/vintage-visual-ago-reseller.md)
- [How do you hold 38°C for C-41 development at home?](https://shop.neoanaloglab.com/en/news/faq-color-home-development-temperature.md)
- [What is the AGO Film Processor, and how can it work without controlling temperature?](https://shop.neoanaloglab.com/en/news/faq-what-is-ago-film-processor.md)
- [Does the AGO work with a Paterson tank I already own?](https://shop.neoanaloglab.com/en/news/faq-ago-paterson-tank-compatibility.md)
- [How much chemistry does rotary processing actually save?](https://shop.neoanaloglab.com/en/news/faq-rotary-processing-chemistry-saving.md)
- [Can the AGO handle 4×5, Super 8 and RA-4 prints?](https://shop.neoanaloglab.com/en/news/faq-ago-large-format-super8-ra4.md)
- [Why do my scans look grainy or color-shifted?](https://shop.neoanaloglab.com/en/news/faq-grain-color-shift.md)
- [What is the difference between negative and reversal (slide) film?](https://shop.neoanaloglab.com/en/news/faq-negative-vs-reversal.md)
- [Will airport X-rays fog my film?](https://shop.neoanaloglab.com/en/news/faq-xray.md)
- [How should I store film? Can I still shoot expired film?](https://shop.neoanaloglab.com/en/news/faq-film-storage.md)
- [Can I get already-developed film scanned only?](https://shop.neoanaloglab.com/en/news/faq-scan-only.md)
- [What is the difference between C41, E6, B&W, and ECN-2 processing? Which does my film need?](https://shop.neoanaloglab.com/en/news/faq-c41-e6-bw.md)
- [What are push and pull development?](https://shop.neoanaloglab.com/en/news/faq-push-pull.md)
- [How do I choose a scan resolution (10MP / 24MP / 60MP)?](https://shop.neoanaloglab.com/en/news/faq-scan-resolution.md)
- [What is the orange mask on color negative film, and why is it removed when digitizing?](https://shop.neoanaloglab.com/en/news/faq-orange-mask.md)
- [What is the difference between RAW and JPG scans? Which should I choose?](https://shop.neoanaloglab.com/en/news/faq-raw-vs-jpg.md)
- [Follow Neo Analog Lab on Instagram](https://shop.neoanaloglab.com/en/news/instagram-launch.md)